Nintendo Labo interview part 2 – nose-picking prototype, decision to use cardboard, much more
Posted on April 20, 2018 by Brian(@NE_Brian) in News, Switch
What can you do with the IR Motion Camera?
Ogasawara-san, I’d like to ask a bit about the hardware side of things now. Can you tell me how the hardware team came to be involved with Nintendo Labo?
Mr. Ogasawara: We started working together pretty much when the software team came and showed us the “Carry-Con” prototype. What got us to that point was, well, I mentioned in the last interview that I was in charge of the IR Motion Camera.
You proposed the idea for the IR Motion Camera to Kawamoto-san, right?
Mr. Ogasawara: That’s right. So over in the hardware department we were thinking of ways that we could put the IR Motion Camera to use. We were actually making prototypes of our own, completely unrelated to Kawamoto-san and Sakaguchi-san’s “prototype party.” This was happening separately and completely within the hardware department.
Another prototype party?!
Mr. Ogasawara: We were calling it “usage research” in my department. Basically we were making a lot of different prototypes, one of which was something we called an “optical attachment.” It looked like this.
Mr. Ogasawara: In the back we’ve affixed reflective tape to serve as a marker. The Joy-Con emits a beam of invisible infrared light that is reflected back by these markers, enabling the camera to read their movement. By making it like this we can read the movement data without needing any additional electronic components.
Using the camera to figure out if something is rotating… this is starting to sound familiar!
Mr. Ogasawara: Isn’t it? The first prototype we made with it was this…
The fishing rod!
Mr. Kawamoto: That’s right, but this one operates on completely different principals than the final Toy-Con Fishing Rod.
Mr. Ogasawara: Next, we made this thing. We thought that if we used the optical attachment, we could do all sorts of things with it.
That looks like cardboard.
Mr. Ogasawara: It is. We made a giant controller out of cardboard and called it the “Big-Con.” The way it worked was pretty simple—you could push the big buttons, and that would move a reflective marker up and down inside the box. Then the IR camera would read the motion of the markers.
This is the first prototype produced with an eye on the building process. I’ve always wanted to show the customer how fun hardware can be. The team got together and thought about how to do that, and we realized that we wanted to actually show the customer how interesting it is to make hardware. We started to think that cardboard was an ideal material for an idea like this.
You mean that you were all arriving at these ideas independently of one another?
Mr. Ogasawara: Yeah, we didn’t find out until later, but as it turns out we were all thinking about the same things.
Sakaguchi-san was thinking of “bundles of sensors” while Ogasawara-san was thinking about “optical attachments”? That’s amazing. How did you end up working together?
Mr. Sakaguchi: I was looking for people who were willing to help us with our hardware prototyping, and was introduced to Ogasawara-san. One of the first things we talked about was the Nose Picker-Con.
This was during the prototype party, right?
Mr. Ogasawara: Yes. And like I said, my team was already working on prototypes, so we decided to join forces and assist Sakaguchi-san’s team. That was when they showed me their robot prototype, and I was totally blown away. The way they’d used our optical attachment was ingenious, and the software they built around it was really neat.
It’s like you were destined to work together!
Mr. Ogasawara: It really does feel that way! It was a great coincidence that we were both working independently on similar prototypes, but truthfully the prototypes my team had been working on didn’t have the potential to actually become products on their own. But because I was able to present the IR Motion Camera and the optical attachment that makes use of it to Sakaguchi-san at just the right time, I feel like I was able to make a genuine contribution to Nintendo Labo—I’m very grateful for the way things worked out.
Mr. Kawamoto: I can explain it with a cooking metaphor. Ogasawara-san’s team found new ingredients to work with, and Sakaguchi-san’s team prepared them and plated them up. Together they were able to make a new menu, with dishes no one has ever seen before.
A cross-team collaboration
OK, just to recap, you started by focusing on making something fun and intuitive, and after a lot of ideas and prototyping you arrived at the idea for a product made of cardboard where consumers could build their own controllers. Is that right?
Mr. Kawamoto: Coincidently, there were a lot of people on the software prototyping team that happened to really enjoy arts and crafts, and that ended up influencing the final product, too. We didn’t choose these people intentionally, either.
All these people got together and started making things, and that was how you realized that the building process itself was a lot of fun?
Mr. Sakaguchi: That was probably part of it. Our initial prototype brainstorming sessions lasted about three weeks.
It was only three weeks?
Mr. Sakaguchi: Yeah. We made a lot of prototypes then, ten or twenty of them. Truthfully, a lot of them weren’t any good. It was pretty intense. I guess it was because of that that Ogasawara-san, who made the Joy-Con controller’s IR Motion Camera, ended up becoming “Old Man Cardboard.”
Mr. Ogasawara: That’s what did it.
Mr. Kawamoto: His work has always specialized in electronic technologies, but from now on he’ll be known for cardboard. (Laughs.)
Mr. Sakaguchi: The background of the hardware team members is also pretty interesting. The Toy-Con Motorbike designer was previously responsible for overseeing the Nintendo Switch and Joy-Con hardware, and the Nintendo Switch stand designer ended up designing the Toy-Con Piano.
Mr. Kawamoto: And the Nintendo Switch Pro Controller designer worked on another Toy-Con.
That is really interesting! I suppose it makes sense that someone accustomed to fine-tuning game controllers so they are optimized for gameplay would bring those same sensibilities to Toy-Con design.
Mr. Kawamoto: We couldn’t have pulled this off without them. The software team alone couldn’t have made all these designs.
And this wasn’t arranged in advance? The group came together by chance?
Mr. Ogasawara: Yes. We were just lucky, I think, that the team members involved were invested in the project and shared similar ideals. I’m grateful for how it all worked out.
Mr. Sakaguchi: We’ve really only talked about the cardboard designs at this point, but the games themselves are also really well done. The programming, artwork, and sound design all feel great. Play and Discover are just as important as the Make aspect of Nintendo Labo, so I hope that customers will try them out. We even gave the menu button interactions a lot of thought.
Mr. Kawamoto: Every single interactive element of Nintendo Labo feels great. We put a lot of effort and thought into the software that powers it all. The two software art directors came from series like The Legend of Zelda and Animal Crossing. We really were incredibly fortunate to have the team members we had.
Mr. Sakaguchi: A group of programmers came over one day and showed us the Toy-Con RC Car auto-driving mode—they’d come up with the idea and implemented it all on their own. We truly had an amazing group of people working on this project.
To everyone anticipating Nintendo Labo
Nintendo Labo will be released soon, and customers will finally have the chance to get their hands on it. I’d like to ask just a few more questions, if I may. I’m wondering about the durability of the engineered cardboard in Nintendo Labo. Will replacement parts be available?
Mr. Sakaguchi: Replacement materials will be available starting April 20.
Mr. Ogasawara: We considered the durability of the materials during the design stage. We were focused on making it simple to assemble, but of course there are limits to what you can do with cardboard. We designed the Toy-Con projects so that they wouldn’t break easily, and then we performed extensive durability tests where they were subjected to the same motions and actions hundreds and thousands of times. On top of that… well, this is a bit of a digression.
Cardboard is typically made from recycled paper, at least in Japan. One ramification of the recycling process is that the final product contains all kinds of materials. On the other hand, governments have implemented regulations to ensure consumer safety. North America, Europe, and Japan each produce the cardboard sheets for their region to ensure that the material complies with regional requirements.
On a slightly different topic, I can also imagine children building these Toy-Con creations and getting invested in them. Were they to break in a vigorous play session, the children might want to fix them on their own. How do you feel about that?
Mr. Sakaguchi: I think it’s wonderful. All throughout development we were making things, fixing them, adjusting them, adding new things, and so on. The more we worked on our projects the more ideas came to us, and we’d think of ways we’d want to decorate or customize our projects, and we all ended up with unique, individual Toy-Con creations at the end of it. I like to think that repairs are part of the creation process itself.
The included software even includes tips on how to make repairs. We added videos to the Discover section explaining how best to repair certain things, or mistakes to avoid. There’s even content on decorating tips, and on how to reinforce completed Toy-Con projects.
I didn’t know that!
Mr. Kawamoto: There are videos on how to replace snapped rubber bands, and how to use masking tape to repair cardboard tears and decorate your projects at the same time.
Moving on, I imagine there are parents with very young children who wonder if Nintendo Labo is too difficult or complex for their child. Did you learn anything through consumer testing about that?
Mr. Sakaguchi: Yes. The main thing I want to say to parents is that their kids can probably do much better than they might think, so I suggest they let their children try it out by themselves first. Of course, there will still be some children that need more help than others…
Were there a lot of parents at the tests who couldn’t stop themselves from stepping in and helping their children?
Mr. Kawamoto: I’m sure there are parents that feel like they need to help their children. I also sometimes wonder if… You see, I’m a parent myself. Sometimes I just want to play with their toys. (Laughs.)
Mr. Sakaguchi: I really feel that children have the ability and concentration to do these projects, so I do think it’s best to let them try their hand at building without immediately jumping in and trying to help. There were a lot of parents who were genuinely surprised at how well their children were able to do.
Mr. Kawamoto: We did these consumer tests specifically to address concerns like these. Whenever something was too complicated, we revised the designs. We were always saying, “Back to the drawing board on that part!” We truly did put a lot of effort into polishing the designs.
Mr. Ogasawara: It was a lot of work, but it was always fun.
How so?
Mr. Ogasawara: It felt so good to successfully address an issue. When people had trouble in one test session, and then didn’t have any trouble after we redesigned that portion of the project, it felt fantastic. It was rewarding, and really motivated me to keep going.
Did you design the projects and the build times with children’s attention spans in mind?
Mr. Kawamoto: At the Nintendo Labo preview events that were held in Japan, North America, and Europe, we saw a lot of kids who ignored the scheduled break times and went right on making and building—although it’s better to take a break from time to time.
(Ed. note: The lucky attendees of our Nintendo Labo Studio preview events shared their first impressions here.)
Mr. Ogasawara: There’s no need to try and build it all in one sitting. I think everyone can do these projects at their own pace.
Mr. Kawamoto: When you’re deep in a project and you run into a part that is hard to understand, it’s natural to want to give up at that point. We don’t want anyone to feel that way, so we’ve done all we could to remove any tough steps in the Make process.
Did you notice any differences between people who are naturally good at crafts and people who aren’t?
Mr. Sakaguchi: Not particularly. The difference between individuals was much more pronounced. The Robot Toy-Con takes three or four hours to build, and there was a second-grader who had no trouble staying focused for the entirety of the build. Once they finished the Make process, most kids said it was a lot of fun.
Would you say that any kids who have an interest will probably be able to make the projects?
Mr. Kawamoto: Well, everyone is different. Speaking generally, children six and up can probably handle Nintendo Labo projects with a little assistance from their parents. Children ten and up can probably handle the projects on their own.
Mr. Sakaguchi: This is just a personal observation of mine from the tests, but children around eight or nine years old were right in the range where they start to reconsider how much help they want from their parents, and where parents start thinking about letting their children have more independence. Again, everyone is different, but I think that’s a fantastic age for kids to try out Nintendo Labo.
Mr. Ogasawara: Children too young for the making part can still enjoy the games. Even parents will find themselves getting a lot of fresh surprises from the games.
Mr. Kawamoto & Mr. Sakaguchi: This is starting to sound like a product that even children can enjoy, but it really isn’t a product for children exclusively. We made this so it would be fun for everyone.
Thank you. You must be excited to finally get Nintendo Labo into the hands of the public. Are you looking forward to seeing what kinds of things people make?
Mr. Sakaguchi: I really am.
Mr. Ogasawara: Very much so.
Mr. Kawamoto: I can’t wait!
Mr. Sakaguchi: Honestly though, personally I’m fresh out of ideas. (Laughs.)
Everyone: (Laughs.)
Mr. Sakaguchi: How many ideas can there be left? (Laughs.) I’d like to see someone invent something that is easy to understand, fun to play with, and can only be done with Nintendo Switch—but I’m skeptical. (Laughs.)
We’ll just have to wait and see what the public will come up with!
