Aonuma on his path into game design, how he came to be in charge of Zelda, Majora’s Mask three-day cycle
Posted on 10 years ago by Brian(@NE_Brian) in 3DS, General Nintendo, News | 1 Comment
We have another three excerpts from Game Informer‘s interview with Zelda producer Eiji Aonuma. These latest summaries cover Aonuma’s path into game design, how he came to be in charge of Zelda, and the three-day cycle in Majora’s Mask.
You know what to do. Head past the break for the full breakdown.
Video: A look at the Super Mario amiibo series
Posted on 10 years ago by Brian(@NE_Brian) in General Nintendo, Videos | 0 comments
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Hironobu Sakaguchi isn’t a fan of sequels
Posted on 10 years ago by Brian(@NE_Brian) in General Nintendo, News | 14 Comments
Speaking with IGN, Final Fantasy and The Last Story creator Hironobu Sakaguchi expressed his disinterest in making sequels.
“I don’t like sequels,” he said. “I hate them.”
Sakaguchi added, “That’s why every single Final Fantasy had a new cast of characters, a brand new story, [and] a different system.”
Sakaguchi still maintains his belief that a game should be a complete experience at his Mistwalker studio.
“Our promise to ourselves is that for every single game that we make, we are going to give it our all, and then we finish it, we’ll end it in such a way that there is no to be continued checklist.”
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Pokemon the Movie XY: The Archdjinni of the Rings: Hoopa trailer
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U&I Entertainment to handle all Majesco retail releases in North America
Posted on 10 years ago by Brian(@NE_Brian) in General Nintendo, News | 0 comments
Majesco’s financial issues have been well-documented as of late. Likely in an attempt to offset some of its difficulties, Majesco announced today that U&I Entertainment LLC will handle the distribution for all of its retail games in North America going forward.
Majesco intends to continue publishing and distributing its digital games. However, with no new projects in development, it seems as though the company will simply maintain its back catalog of releases.
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Aonuma on the pain behind Link’s transformations in Majora’s Mask, Fierce Deity Mask soul
Posted on 10 years ago by Brian(@NE_Brian) in 3DS, General Nintendo, News | 19 Comments
Another couple of excerpts from Game Informer‘s interview with Eiji Aonuma have been transcribed. The latest Q&A covers the pain behind Link’s transformations in Majora’s Mask, and the soul inside the Fierce Deity Mask.
Check out the full responses below:
GI: “Why does it hurt so much for Link to wear the transformation masks?
Aonuma: We’re talking about masks that were created to contain the memories of people who have died. Often there are things they really wanted to do before they left this world, so becoming them is actually really painful because it’s like hosting a really powerful spirit that’s coming into you.”
GI: “Whose soul is inside the Fierce Deity Mask?
Aonuma: The best I can give you is just a suggestion. The best way to think about it is that the memories of all the people of Termina are inside of the Fierce Deity Mask.”
Lots of Nintendo praise from indie developers
Posted on 10 years ago by Brian(@NE_Brian) in General Nintendo, News, Wii U eShop | 6 Comments
Several indie developers were on hand for a special Nintendo showcase at GDC 2015 this week. GamesIndustry caught up with some of the folks behind Never Alone, Don’t Starve, Runbow, and Swords & Soldiers II. Each one had extremely positive things to say about Nintendo – you can find their full words below.
Dima Veryovka, art director on Never Alone
“It was really fast, everything happened in like two weeks. We didn’t have the build and now we already have the build running, and that’s not something we would be able to do without the support of Nintendo. I think it’s really good that they have opened up to independent developers. To be honest, that’s the future. We really want to see the smaller groups [succeed] and the way Nintendo has supported us is tremendous.”
Nintendo on the company’s indie push, indie relationships, desire for exclusive features, low-quality titles
Posted on 10 years ago by Brian(@NE_Brian) in 3DS eShop, General Nintendo, News, Wii U eShop | 0 comments
At Nintendo’s indie showcase at GDC 2015, Engadget spoke with Damon Baker, senior manager of licensing at Nintendo. Baker was asked about a bunch of questions with regard to the company’s approach to indies. Read on below for comments about Nintendo’s relationships with indies, the company’s desire for exclusive features when a game comes out later on Wii U/3DS, and more.
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Nintendo to appear at Gamescom 2015
Posted on 10 years ago by Brian(@NE_Brian) in General Nintendo, News | 5 Comments
A message posted to the official Gamescom Facebook page confirms that Nintendo will be at this year’s expo.
Other companies attending Gamescom include Bandai Namco, Ubisoft, and EA.
Gamescom 2015 will take place between August 5 and August 9.
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Aonuma on the 5 stages of grief fan theory in Zelda: Majora’s Mask
Posted on 10 years ago by Brian(@NE_Brian) in General Nintendo, News | 26 Comments
This month’s issue of Game Informer has an interview with Zelda producer Eiji Aonuma. Aonuma tackled several topics pertaining to Majora’s Mask, including the 5 stages of grief fan theory.
Here’s the full exchange between the two:
Game Informer: Some fans speculate that Majora’s Mask is a metaphor for the stages of grief. The towns-folk are in denial of the moon falling; the Deku King is punishing the monkey out of anger; the ghost in the snow temple is bargaining for a return to the world of the living; Lulu in the Zora Temple is battling with depression; and the final temple could be considered acceptance as it wraps up Link’s journey. Was this considered during development, or is this just a fan interpretation?
Eiji Aonuma: It’s certainly true that each one of these different episodes you talked about has a different emotional cast to it. One feels like it’s tinged with sadness, and another with anger – that certainly was intentional. But, I also want to point out that it’s not that each one of these episodes only has the one emotion that they are conveying. There are certainly other notes that we’re trying to hit as well, and the reason we did this is always to allow the player to experience that emotion – to give them a chance to hook into the emotional tone of this scene and react to it and feel like they want to accomplish something in the game as a result.”
